All Henri Fantin-Latour Oil Paintings

French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
 

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Henri Fantin-Latour Homage to Delacroix oil on canvas


Homage to Delacroix
Homage to Delacroix
Painting ID::  1194
  1864
  1864

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Henri Fantin-Latour Narcissus and Tulips oil on canvas


Narcissus and Tulips
Narcissus and Tulips
Painting ID::  1195
  1862
  1862

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Henri Fantin-Latour The Corner of the Table oil on canvas


The Corner of the Table
The Corner of the Table
Painting ID::  1196
  1872 Musee d'Orsay, Paris
  1872 Musee d'Orsay, Paris

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Henri Fantin-Latour Portrait of Edouard Manet oil on canvas


Portrait of Edouard Manet
Portrait of Edouard Manet
Painting ID::  1197
  1867 Art Institute of Chicago
  1867 Art Institute of Chicago

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Henri Fantin-Latour Still Life  5 oil on canvas


Still Life 5
Still Life 5
Painting ID::  1198
  1873 Art Institute of Chicago
  1873 Art Institute of Chicago

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     Henri Fantin-Latour
     French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.

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